Ghulam Hussain Wani

Ghulam Hussain Wani is a Kashmiri artist whose practice is grounded in the rich traditions of papier-mâché and fine art painting. With over fifteen years of experience in papier-mâché design, his work reflects a deep engagement with craft as both heritage and evolving expression, where intricate tradition meets individual artistic voice.

He pursued his Bachelor of Fine Arts in Painting from the Institute of Music & Fine Arts, Srinagar, developing a strong foundation in visual arts while remaining closely connected to Kashmir’s traditional craft practices. His artistic journey has been shaped by a continuous exploration of form, surface, and detail, often drawing from the ornamental language and cultural motifs embedded in Kashmiri art.

Alongside his studio practice, he has contributed to art education through teaching roles at institutions such as Burn Hall School, Green Valley Educational Institute, and Delhi Public School Srinagar, sharing his knowledge and skills with younger generations. His experience reflects a balance between practice and pedagogy, where teaching becomes an extension of artistic continuity.

His work has been widely exhibited in state and national exhibitions, including participation in Annual State Art Exhibitions, the 47th National Art Exhibition in Lucknow, and exhibitions organized by All India Fine Arts and Crafts Society. He has also been part of group shows across India, including exhibitions in New Delhi and Udaipur, as well as solo exhibitions showcasing his early work in drawing and painting.

Recognized for his contributions, he was awarded the National Scholarship by Lalit Kala Akademi in 2008, along with several awards in painting competitions and art festivals across the country. His participation in artist camps, including snow sculpture camps in Gulmarg, further reflects his versatility and engagement with diverse artistic mediums.

His works are part of collections held by institutions and private collectors, reflecting both his traditional grounding and contemporary sensibility.

As a resident artist at HunarGaah, he brings with him a deep respect for craftsmanship and a commitment to preserving and evolving Kashmiri art. His practice stands as a bridge between past and present, where tradition is not only remembered but continuously reimagined.